SPFBO Update

The Self-Published Fantasy Blog-Off has reached its finals: the blogger/reviewers have chosen their 10 finalists, and all will read all to determine the winner.  Read about it here.

My book is not among them.  In fact it was cut during the first round of eliminations.

Ouch. That hurt.  But I have to admit that I seriously overestimated my chances on this thing.  There are many, many authors entered in the Blog-Off that are far more experienced than me.

The mini-reviw of my book on Team Weatherwax is here.  The reviewer (not sure who) said Daughter of Atlas has “pacing issues.”  Ugh.  That’s hard to hear. But no else who’s ever read or reviewed it (that I know of) has ever said that, so I guess it’s a matter of opinion.

My biggest disappointment from being cut so early, though, is that DoA didn’t get a cocktail made to memorialize it by Book Wol of Tome & Tankard.  I was so looking forward to that. There is a general cocktail for all the early losers here.

One thing I have noticed, is that most (I think eight out of ten) of the finalist books have more “painterly” covers than your usual indie-published books, with their Photoshopped covers.  It looks like the authors paid to have artists actually paint cover paintings for their books, or at least composit them in a more illustrative style than the usual photorealistic , CGI’d indie covers we are used to.  It makes the books more “professional” looking, that is, more like commercially published books.  It probably contributes a positive halo effect to the books.  They are appropriate to the genre, fantasy, and are what readers expect to see.

(Not that I am displeased by the cover of my book, or having second thoughts. I love the cover of DoA, and I have always received positive feedback from it. But it is something to keep in mind for future works.)

Author and YouTube book vlogger Quinn Buckland gave DoA a stellar review here.  Check it out. Thanks Quinn!

My interview by Michael Baker of the Thousand Scars Muse blog is here.  I did see a small sales spike from that, thank you Michael.

And I have a new review on GoodReads from XDesoto, here.

Well, there’s always next time.  My forthcoming book is science fiction, so I can’t enter SPFBO with that, but I will return to fantasy and to my series Atlantis Fallen in the future, so hopefully one day I will be able to enter the Self-Published Fantasy Blog-Off again.

Does anyone know if there is a similar contest for indie sci-fi?

Finally, let me extend my thanks to Mark Lawrence, who founded the Blog-Off, and to all the bloggers and reviewers, who are putting in an incredible amount of work on their own time, for love of reading and the genre, and also to all my fellow authors.  Good luck to all the finalists!

Dreams & Dragons

I had a wild dream about D&D last night. One of those all-consuming dreams that rocks my world. My dream life has been quiescent for several years, but it has come roaring back just in the last few months. Much of the dream is fragments now, but I thought I’d write down what I remembered. Maybe I’ll remember more as I write.

I had a longstanding gaming group for much of my adulthood; over twenty years we gamed together.  But some how over the last several years we just … stopped.  This dream was about that.

The dream was about a huge, epic D campaign that my old group played. A campaign that consumed our whole lives, that we ordered our lives around. Like the campaigns we played when we were young.

When I first woke up, I was sure this was a campaign we had actually played, but as I tried to remember, I realized, no, this was unique to the dream. A whole world in my dream. God, I wish I could remember it all!

The dream proceeded in stages, moving outward like the layers of an onion.

The first layer, we actually were the characters, living the adventure. We visited a lord’s halls and were feasting. We were there visiting as his guests, but we had come because we suspected something hinky was going on in his domain, and we were trying to find out what it was. We were pretending to be honored guests, but were actually there to spy on him. We attended a banquet where we bragged about our martial accomplishments and flattered the lord obsequiously to make him friendly to us. We were already at this point high-level characters and had fought many battles together, had many war stories and knew each other well.

Then the dream stepped out one level, and we were us, ourselves, my old core D&D group — myself, my husband, my bother, his roommate, our friends Charlie & Bill, etc. — playing that module. We snooped around the lord’s domain. His manor house was large and opulent, containing many rooms that were broken out on a kind of holographic map – the library, the women’s quarters. You would touch a room on the map and it would rise up as a holographic projection. Super-cool.  There was, of course, some kind of monster in the dungeons. More kind of Lovecraftian than standard D hack and slash. Shapeless, tentacles, malevolent. Yes, I am remembering things. Intense fighting and magic.

Then the dream stepped out again, and we were hanging and decompressing after the session, going over it as we used to do. It was good to see and play with our old friend Jonny again, who we lost touch with years ago. He was our Dungeon Master through all those years.  Strangely enough, we were still in the manor house, but it was us, the real people, hanging in a drawing room and processing.

Then the dream stepped out again, and it was us, now, our present-day selves, reminiscing about this campaign that had been so epic and transformative for us. I was specifically trying to recapture the magic at this point, looking over the campaign book. The campaign was contained in a thick hardback book, like the Ptolus campaign, with all the modules, maps, a bestiary and prestige classes, everything. And it was like a living book — it had printed pages, but then other pages came to life , showed animations or came off the page as holographic moving pictures. It was amazing. And we were saying to each other, “Remember when we did this, remember when we did that? Yeah, that was cool, that was great, we had so much fun.”

And I turned to my dear old friend Bill and I said, “Bill, how did we do this? How could we let this happen? How did we let this fall out of our lives? We had such a good time. It was such a big part of our lives, how could we let it slip away?”

It felt like a message from the deepest part of myself. It had that epic, mythic quality. Numinous quality.  I feel, this morning now, like, fuck writing. Fuck crafting. Fuck my job. I want to have a D&D campaign.

I wish I could remember more. Just fragments. There was a module called the Tomb of Ra. The milieu was sort of a desert milieu. But not a cheesy, Arabian Nights sort of milieu, even less Western. More like Dune, maybe? But D&D-level technology, with magic. More sort of Bronze Age. Not a howling desert, like the Empty Quarter, more arid scrubland, like Palestine maybe? People had tattoos, which were used in magic somehow. And there were magical dogs, wise and powerful dogs that people kept as familiars and used in magic somehow. But the dogs were alignment-neutral, the good guys and the bad guys both had them.

In the lord’s domain, the leaders in the town had parasites that were controlling their brains, that made them act according to some sinister plan.  Lovecraftian, as I said.

The campaign had a quality like the Dragonlance campaign, as I understand it, which my friends played before I joined; it starts with a rather quotidian module in a village, and then moves out and gets bigger and bigger until you’re in a war for the entire realm. A showdown between good and evil, very LOTR feel. Tents — many of the races and peoples were nomadic, and that brought a very different flavor to it from standard European medieval tropes. Gnolls, the default humanoid race seemed to be gnolls. Towering mountains to the north, that we adventured in for a while, looking for a vital artifact.

My brother Peter’s character was a kind of halfing, more like a kender. He was young and naive, who had been sent from a little country village to travel with a band of adventurers, to learn to fight, to overcome a monster or evil wizard that had threatened and dominated the village for generations. So he was very naive and clueless, first level, but he was a fighter after all, and he was a little scrapper — he was in the front rank and gave as good as he got every time. He earned tattoos that were warrior marks of distinction.

It’s a continual torture to me that I have this creative power in my dream state — I can create whole words, whole lived lifetimes, years of time, without even trying.  Which power I can barely access when I’m awake. Everyone does! Even if they don’t remember it upon waking.  Maddening!

But I really do have to ask myself that, what I cried out to Bill. How did we let this go? Dungeons & Dragons.  It was the best part of us in some ways. The most magical part.  And what to do about it now?

SPFBO 4 Begins!

Several of the authors, myself included, are running a 99c price promo. Check it out:

 

 

Author Ann Woodley created this video. Thanks, Ann!

Participating author Andrea Domanski put together this list of the participating authors.

M. D. Presley put together a tournament bracket for the blog-off, so readers can follow along, here.  Hah, that should be fun!

The SPFBO has a Facebook page, which seems like a good place to stay up on the action.

I only learned about SPFBO in the final rounds of the last contest, so I’m really not sure how all this is going to play out.  We will experience it together.  Fingers crossed!

SPFBO 4 Starts Tomorrow!

The Self-Published Fantasy Blog-Off, Round 4, starts tomorrow, Wednesday, August 1.  I’m sure many of us authors are nervous and excited.

To celebrate, many of the participating authors, myself included, are dropping the price of their ebooks to 99 cents from August 1 through 5, to allow fans and readers to follow along and purchase as many of the entry books as possible.  Thanks to author Andrea Domanski who put this whole effort together!

You can find all the discounted books here at her website:  http://www.andreadomanski.com/spfbo

Of course, you can purchase my submission, Daughter of Atlas, here, as always.

Daughter of Atlas was assigned to the Team Weatherwax review team, and Bookwol of Tome & Tankard is already reading it!  Hm, hope that doesn’t mean I get eliminated early.  We’ll have to see, I guess.

Good luck to all the authors, and a huge thank you to all the reviewing book bloggers for putting in this huge amount of work, for love of the genre and indie publishing. And especially to author Mark Lawrence, who created the Self-Published Fantasy Blog-Off four years ago.

Hey, I Could Use Some Help

I’ve been looking at the books Daughter of Atlas will be competing with in SPFBO 4.  Here’s the Goodreads list.

There are some very experienced indie authors on this list, I see, as well as some noobs like myself.  The competition is strong.  Just glancing at the list, I see Daughter of Atlas has only a one-star rating!  This is because only one person has given it a star rating, and that rating is one star.  (As I understand it, some people on Goodreads like to mark their “to be read” books with a one-star rating. Yes, that’s it!)

So, it looks kind of bad to see that one star in there among all those three- and four-star ratings.  I’m hoping you can help me with that.  If you read and enjoyed Daughter of Atlas, and have a Goodreads account, hop on over there and give the book a rating of more than one star.  Whatever you think is an accurate rating.  (A review would be nice to, if you have the time.)

I’d just like the book to make a better first impression on Goodreads, for the judges, and anyone who might be following the contest.

Thanks! I really appreciate the help.

DoA in SPFBO 4

I’ve decided to do something fun with my book Daughter of Atlas. I hope you’ll follow along.

I’ve entered into the Self-Published Fantasy Blog-Off 4, a big book review tournament for, as noted, indie-published fantasy novels.  It was created by indie author Mark Lawrence.  Eight bloggers or teams of bloggers will review 300 books. Each team will choose one semi-finalist to be read and reviewed by all the blog teams.  The final winner wins, well, the title of SPFBO 4 winner, fame and hopefully fortune.

My book was assigned to Team Weatherwax, and Tome & Tankard is the actual blog that will review my book.  Wish me luck!

You can follow SPFBO 4 on Facebook if you’d like to stay apprised of the contest.

And here’s a Goodreads list of all the competing books. And a list of the books for Team Weatherwax here.

I’m very happy and excited to be a part of this, and I’d like to thank Mark Lawrence, all the bloggers, and also all the authors for taking part in this wonderful opportunity for the indie book community.

The contest will begin in August.  I’ll keep you apprised.

Bradford Challenge: Jade City

The next book I read for the Tempest Bradford Challenge is Jade City, by Fonda Lee.  Lee is a Chinese-Canadian woman, and this is her third book.

It’s an unusual book, what you might call “second-world urban fantasy.”  It takes place in a city, in a modern context — there are planes, cars, and TV sets.  But it is in an imaginary world, the world of the mysterious island of Kekon, somewhat like Japan, wherein is found the magical stone jade.  In this world, jade bestows wu xia-like magical powers on those who have the ability to use it: flight, strength, enhanced perception, and the like.  Usually I don’t dig this kind of stuff, but I saw this on the Popular Reading shelf at work, and it caught my attention for whatever reason.

The book is about a clan war between jade wielders (called Green Bones) in the city of Janloon on the island of Kekon, which has only recently emerged, along with the rest of the world, from the World War II-like War of Many Nations, and claimed its independence from colonial overlords in the aftermath.  Two clans, the Mountain and No Peak, fight for control of the city of Janloon.

The clans operate mostly as crime syndicates: they run whorehouses, gambling, collect protection money from local businesses, smuggle things, and the like.  The marketing for the book pitches it as a “fantasy Godfather,” and that’s accurate enough.

Woman author or no, I found this to be a very masculine book.  Most of the characters are men, and since they are all crime kingpins, there is a lot of posturing, fighting, and general dick-waving.  The women in the story are not fighters or enforcers; even the ones gifted with magical ability have the usual supportive roles you’d expect women to have in that milieu: wives, mothers, healers, caretakers.  I was a little disappointed by this.

About halfway through, I realized the story Lee was telling was too big to be told in one volume, and I became very annoyed. I hadn’t bargained on a trilogy.  In the end, she does manage to bring the story to a natural, if temporary, conclusion, but the war between the clans is obviously a long way from over.  More books will follow.

This would be a good book to check out if you enjoy crime fiction and don’t mind magic, if you like urban fantasy, or if you want to read a fantasy set in a non-Western-style milieu, which I am always up for.

Tempest Bradford Challenge – The Left Hand of Darkness

The first book I chose for the Tempest Bradford Challenge is The Left Hand of Darkness by the late, much lamented Ursula K. Le Guin. I read this book when I was in high school, and I wanted to see if I understood it better as a middle-aged adult.

I’m not posting spoiler warnings for a fifty-year-old book.  One has to draw the line somewhere.

First of all, I’d say, no, I did not achieve a deeper understanding of this book on re-read.  I think I got it well the first time: men and women are basically the same; humaity trumps gender.  This is something I have always believed, and I daresay reading this book as a teenager probably influenced my thoughts on the subject.  As well as my own life experience. I was already leaning that way anyway.  Someone raised with more strict gender boundaries might find this book quite threatening.

This is a very serious book, seriously written by a serious author, about serious people doing serious things, with a serious theme.  No humor in this book.  I remembered most of the big set pieces, and some individual details, like Genly Ai, the Terran protagonist, calling the gender-neutral proprietor of his apartment building his “landlady,” because they were pudgy and gossipy.  (That annoyed me.)  I’d forgotten that Estraven, Genly’s native friend and guide, is killed at the end.

In brief, this book is about a diplomatic mission from Le Guin’s human space league, the Ekumen, to a world, Gethen, where the people, although of Hainish “ancient astronaut” human stock, still have a sexual estrus cycle with an unusual twist: when not in heat, the Gethenians are sexually neuter, with no visible sex organs and no sex drive.  When they come into heat, or kemmer as they call it, once a month, they become either male or female, influenced by the development of their sex partner and random chance, with no way to control or anticipate which gender they will manifest.  All people, therefore, are at times both male and female, and can both bear or sire children.  The children one bears are considered closer than the ones you sire, and inherit property first.  The Gethenians are scandalized by Genly’s permanent male sexuality; they call people who are stuck in one sex “perverts,” and consider them disabled at best, dangerous at worst.

The book doesn’t actually go into detail on the sexual rites and practices as much as you might expect.  Written by a less wise author, this book could have become very prurient, even pornographic.  In one scene, Genly is trapped in a snowstorm with Estraven, who is in kemmer, but they don’t have sex, even though it is supposed to be very painful and distressing for a Gethenian in heat not to engage in sex.  This seems like a missed opportunity to me, upon re-read.  It wouldn’t have to be explicit, but it could have illuminated human sexual relationships on Gethen in a whole other way.

This was a landamrk book when it was written, winning both the Hugo and the Nebula awards.  It was part of the “New Wave” of “soft” or “anthropological” science fiction that developed in the 1960s, that rigorously examined social and cultural issues and transgressed stylistic and thematic boundaries of science fiction, as part of the whole counter-cultural movement back then.  It is considered a classic of science fiction, and as far as I know, has been continuously in print since it was first published.

One thing did come to bother me over the course of the book. Le Guin chooses deliberately to refer to the Gethenians, genderless beings, as “he” throughout the book, writing that “he” is the most “neutral” of the pronouns, instead of creating or using a Gethenian gender-neutral pronoun, or switching the pronouns around, or saying “they,” or any other such scheme.  But that is not the effect in the book as written.  Because Genly, the narrator, is a man, he tends to perceive and write about the Gethenians as men, and the constant use of “he” reinforces this. The scene where Esatraven is in kemmer is the only time that Genly is forcefully reminded that Estraven, or any Gethenian, is as much a woman as a man.  It undercuts Le Guin’s point, to me.  I’m reminded of Ann Leckie’s much more recent book Ancillary Justice, wherein the default pronoun in the narrator’s language is “she,” and how completely disconcerting it is to see that in practice, everyone always referred to as “she,” and not know whether the character being referred to is male or female.  (And how it drove many of the angry Rabid Puppy types right round the bend – especially when it won all the big sci-fi awards.)

But to be fair, I have to admit that Le Guin writing and thinking about this idea at all in 1969 was revolutionary, and Left Hand won many of those same awards in its time.  It’s still a good book, and still has useful things to say.  As classics do.

There’s also this quote from near the end of the book, that I found quite relevant to our time, and wanted to share:

… I had asked him if he hated Orgoreyn; I remembered his voice last night, saying with all mildness, “I’d rather be in Karhide…”  And I wondered, not for the first time, what patriotism is, what the love of country truly consists of, how that yearning loyalty that had shaken my friend’s voice arises, and how so real a love can become, too often, so foolish and vile a bigotry.  Where does it go wrong?

Where indeed?  One might write a whole other science fiction book about that.

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